Returning home from work, Rinko is shocked to find that her flat is empty. Gone are her TV set, fridge, and furniture, gone are all her kitchen tools, including the old Meiji mortar she has inherited from her grandmother and the Le Creuset casserole she has bought with her first salary. Gone, above all, is her Indian boyfriend, the maitre d' of the restaurant next door to the o...(展开全部)

Returning home from work, Rinko is shocked to find that her flat is empty. Gone are her TV set, fridge, and furniture, gone are all her kitchen tools, including the old Meiji mortar she has inherited from her grandmother and the Le Creuset casserole she has bought with her first salary. Gone, above all, is her Indian boyfriend, the maitre d' of the restaurant next door to the o...(展开全部)

2014年3月，最世文化将携手贝尔纳•弗孔（饮誉国际的法国摄影家、“构成摄影”和“观念摄影”的代表人物之一），推出其全新图文摄影集——《永远的乡愁》和《时间男孩》。 该书囊括弗孔创作生涯的代表作，其中多幅作品是第一次面向中国读者，既反映了上世纪当代艺术观念的 变化，也反映了欧美社会整体价值观与社会本身的某种深刻变迁。作品以对时间的追溯和对家乡的眷恋为主题，读者在其中不仅可以领略到弗孔所创立的“执导摄影”所独有的视觉张力和微妙色彩感触，还可以一览其亲自书写的诗样文字。

In this wide-ranging philosophical work, Koons takes on two powerful dogmas: anti-realism and materialism. In doing so, Koons develops an efficient metaphysical system that accounts for such phenomena as information, mental representation, our knowledge of logic, mathematics and science, the structure of spacetime, the identity of physical objects, and the objectivity of values...(展开全部)

In this wide-ranging philosophical work, Koons takes on two powerful dogmas: anti-realism and materialism. In doing so, Koons develops an efficient metaphysical system that accounts for such phenomena as information, mental representation, our knowledge of logic, mathematics and science, the structure of spacetime, the identity of physical objects, and the objectivity of values...(展开全部)